Movies: Tony Conrad

A ramshackle underground SF satire set and shot in the self-absorbed art world of lower Manhattan, written, produced, and directed by Joe Gibbons, who also plays one of the lead parts. Gibbons plays a mad scientist who's developed a technique for tra...

Originally debuted in 1977, where it took the form of a dual slide projection with live piano accompaniment by the artist. In the 2012 installation version at the Buffalo AKG, the slides were transferred to digital projection and Conrad’s live accomp...

A short video by Tony Conrad....

Home movies shot on Super 8mm by W+B Hein over 10 years....

Straight and Narrow is a study of subjective colour and visual rhythm, although it is printed on black and white film, the hypnotic pacing of the images will cause most viewers to experience a programmed gamut of hallucinatory colour effects. Through...

Tony Conrad provides useful & alternative grading tips for teachers. Made in Buffalo, NY....

A trisection of the spectators’ power over their own image language: word, trance, and command are installed as valences of the artist’s license, revealed as figures of parental authority. How peculiar that people like being an audience because they ...

Tradition, mystical revelation, the passing on of family secrets--all that is lost in translation. In this magical fairytale Grandma Baba struggles with the impossibility of telling what needs to be told. How can she pass on the traditions and storie...

The visual track of Weak Bodies and Strong Wills comes from my 1973 film, Enlightenment through Experience: Interim Semester at Albright College. The found film images had been kept in a closet at Albright College, where I was invited to teach a work...

Made out of six patterns of alternating black and white imposed upon the full surface of the film strip....

A deliberately non-synchronous film, shot in 8mm with the sound on tape. Piero Heliczer reads his poem "The Autumn Feast," and the visuals interact with, but does not literally represent, what is read....

The latest in Marie Losier's ongoing series of film portraits of avant-garde directors (George and Mike Kuchar, Guy Maddin, Richard Foreman), DreaMinimalist offers an insightful and hilarious encounter with Conrad as he sings, dances and remembers hi...

Hey Bud begins with the suicide of Bud Dwyer, a government official who killed himself on television. Writes Zando: "I view the suicide as pornographic. The suicide, exposed to a wide television audience, becomes a kind of sex act that plays upon the...

If the intersection of desire and authority is phallus, the intersection of absence and vigilance is vagina. The tape’s laconic title (I saw, I conquered—but I didn’t come) encodes its vaginal pretense. In effect, Vidi Vici is a male artist exploring...

“A theory discourse among three participants, enacted in silhouette.” –Tony Conrad...

A machine-gun film roll of 4-X negative film was exposed using pressure (hammering) and was flashed in its exploded physical configuration....

Mrs. Claus complains because Santa is away....

“Coming Attractions” looks backward into the memories and forward into the future of Francis Francine, an elegantly dowdy transvestite of, and indeed beyond, a certain age. The memories, haunted by a Spirit of Seductions Past (played by a quite glori...

“Cycles of 3s and 7s is a doubled statement. First and foremost, it is a commentary on computer art and the role of computers in video. Secondly, its arithmetic project has some bearing on the construction of musical scales. In reclaiming the compute...

To make Loose Connection, Conrad built a camera that moved in two directions simultaneously: it could be rolled backward and forward on a waist-high rig made with baby carriage wheels, and it automatically rotated 360 degrees. When he finally develop...